HISTORY OF THE NIGHT

Down through the generations men built the night. In the beginning it was blindness and sleep and thorns that tear the naked foot and fear of wolves.
We shall never know who forged the word for the interval of shadow which divides the two twilights; we shall never know in what century it stood as a cipher for the space between the stars. Other men engendered the myth. They made it mother of the tranquil Fates who weave destiny, and sacrificed black sheep to it and the cock which presages its end. The Chaldeans gave it twelve houses; infinite worlds, the Gateway. Latin hexameters gave it form and the terror of Pascal.
Luis de Leon saw in it the fatherland of his shuddering soul.
Now we feel it to be inexhaustible like an ancient wine and no-one can contemplate it without vertigo and time has charged it with eternity.
And to think it would not exist but for those tenuous instruments, the eyes.

JORGE LUIS BORGES


Translated by Charles Tomlinson
lickerish

lickerish

vintage

vintage

from NOTES ON VISION

There are no longer "dancers",
the possessed.
The cleavage of men into actor
and spectators
is the central fact of our time.
We are obsessed with heroes
who live for us and whom we punish.
If all the radios and televisions
were deprived of their sources of power,
all books and paintings burned tomorrow,
all shows and cinemas closed,
all the arts of vicarious existence...

We are content with the "given"
in sensation's quest.
We have been metamorphosised from
a mad body dancing on hillsides to a pair
of eyes staring in the dark

JAMES (JIM) DOUGLAS MORRISON

dissembler

dissembler

apperception

apperception

perception

perception

roots

roots

Copyright 2005-2007 © Mens Rea (a.k.a. Anthony Papachrysanthou)